The National Silk Museum of China shares its cycle of cultural heritage conservation for the first time at the 19th ICOM-CC Triennial Conference

HANGZHOU, China, May 20, 2021 / PRNewswire / – The 19th Triennial Conference of the International Council of Museums – Conservation Committee (ICOM-CC) is virtually detained this year from May 17-21 in Beijing. In line with this year’s theme “Transcending Boundaries: Integrated Approaches to Conservation”, Dr Zhao Feng, Director of the China National Silk Museum, gave a keynote address to share with academics and institutions around the world the cycle of textile conservation. reports on the best realistic practices of the National Silk Museum of China over the past 30 years.

Textile Conservation Gallery of China National Silk Museum

“I am totally in awe of the craftsmanship skills demonstrated through this presentation and bow to the Chinese cultural heritage”, “Very impressive work, congratulations. This research also inspires designers and can add to current fashion, ”participants said.

The concept of conservation cycle proposed by Dr. Zhao Feng revolves around textile cultural heritage, including emergency conservation measures at the archaeological site, scientific knowledge in the laboratory, restoration and conservation in the museum, preventive conservation for display and storage, digital preservation in the warehouse, the restoration and reproduction of cultural heritage, and the legacy of the wisdom of ancient dyeing and weaving.

All the points can be brought together thanks to the collective expertise of the National Silk Museum of China in each of these fields. Faced with the challenges of natural disasters and man-made disasters that may be encountered in the conservation of cultural heritages, the cycle of conservation method can at least preserve the historical, artistic and scientific value of objects for future generations through the ages. information, data and images collected in various links.

Dr. Zhao Feng noted: “We believe that the concept of cycle of conservation can also be promoted at all levels of collections conservation. It can be used in a museum, in the industry of a country and even in the international museum community. In this spirit, the platform is called to facilitate the wider and better development of the cycle of conservation of cultural heritage on a larger scale The three articles presented by the textile restorer of NSM at the ICOM-CC conference and exhibition “Eternal Treasures; From China The Treasures of the Conservation Collection “created by NSM, are perfect examples of the cycle of conservation in practice that we are delighted to share. We invite our international colleagues to join us in a common effort to address the challenges in this regard. respect.”

This year’s ICOM-CC triennial conference presented 159 papers and 99 posters across the 21 ICOM-CC working groups. Emphasis was placed on the latest achievements in various specialist areas of collection conservation with a global perspective and multiple dimensions. On this most important international academic and technical communication platform for conservators, academics and institutions, the National Silk Museum of China widely participated and was well represented at the conference.

Two scientific researchers, Jia liling and Zheng Hailing, showcased innovation in advanced chemical methods to restore fragile textiles. Ms. Wang Shujuan, Senior Curator, contributed her presentation on the application of a new method of repairing archaeological textiles, which can significantly improve the physical and mechanical properties of these fragile objects.

In addition, Prof. Zhou Yang, Head of the Technology Department organized an exhibition entitled “Pursuing Eternity: Conservation of Museum Collections in ChinaChina over the past 100 years as well as the introduction of scientific methods and techniques used for the archaeological conservation of textiles.

Since the 1990s, the National Silk Museum of China has focused on the preservation of textiles, especially the development of new methods to restore ancient textiles from archaeological sites. In 2012, the Museum designed and built a textile conservation gallery next to the permanent exhibition area and laboratory. The ground floor of the two-story facility is the conservation laboratory and restoration studio and the upper one is the exhibition space. Each restoration project forms a cycle of conservation: from cleaning, digitizing, examining, restoring, reproducing, packaging, exhibiting and educating.

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SOURCE National Silk Museum of China


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